1.
Meaning, Sound, and Syntax in Relationship in Chomsky’s
Grammar
In Chomsky’s theory of grammar there
are three fundamental conceptions of the grammar meaning, sound and syntax are
related to one other. In relating with sound and meaning, Chomsky’s doesn’t
begin with the meaning of the sentence or the sound of the sentence but he
begins with the syntax of the sentence. In fact, he starts with letter S, which
one might be determine to interpretation the meaning of sentence. The structure
that represent the sound of Phonetic Form (PF) and the meaning or Logical Form
(LF) of the sentence are first generated from the syntax, which activated by
the vacuous S. syntax function autonomously of meaning and sound. The meaning
and sound pattern on a sentence is defined by the function of syntax.
2.
Why
Chomsky’s Grammar is not Performance Model
For the
speaker production the true process would begin with something would the idea a
person wants to express and it must be end with speech sound.
In
Chomsky’s terminology, this process would begin with something like Logical
Form (LF) and end with the Phonetic Form (PF). While, for speaker understanding
the true process would involved a reverse ordering. In Chomsky’s terminology,
the process would be begin with the PF and end with the LF. Chomsky’s grammar
could not be used directly as either a model of production or of understanding.
Chomsky’s believed of this and has long cautioned readers not to interpret his
grammar as a kind of performance process. Chomsky has made it an essential of
part of the performance process. He asserts that his grammar will be used in
both the process on sentence production and understanding. In the regard, the
speaker must develop some sort of use rules, heuristics, or strategies so that
grammar can be used for such performance processes.
3.
Types of
Performance Model
There are
two possible basic performance conceptions: the first conception is Resource Grammar Approach, it is also as
a component model. Here the grammar is used as a sort of resource in order that
speaker may engage in the process of production or understanding sentence. The
second conception is Process Grammar
Approach. Here a grammar is itself a process in the production or
understanding of sentences.
a.
Chomsky’s resource grammar
performance
There are
two performance processes to be explained, two sets of rule are required: one
set for production, the other for understanding. Essentially, production
performance involves meaning or ideas as input, and speech as output, while
understanding involves speech as input and meaning as output. When given input,
one of the sets of use rules will interact with the grammar to provide an
output.
b.
A process grammar performance
model
Three are
types of grammar that are part of the process itself- for example, the
semantics- based grammar (Functional Grammar, mainly derived from Generative
Semantics Grammar) and psychological process grammar (Cognitive Grammar), the
semantic based grammar could serve directly as model of sentence production
since they take the meaning of the sentence as input and provide the sound
pattern of the sentences output. However, to suppose that a speaker would
actually go step by step through such as grammar to produce a sentence is
doubtful.
c.
No workable performance model yet
with Chomsky’s grammar
There are
two distinct possibilities why Chomsky’s grammar is on workable performance
model. Either psycholinguistics is not smart enough to create a workable model,
or, there is something wrong with Chomsky’s conception grammar such that a
performance model cannot be devised.
4.
Some
Features of Sentence Production and Understanding
a.
Explaining the speed of
conversation
Speed is
made possible by a speaker or hearer having knowledge and strategies that often
enable one to jump directly from meaning to sound and vice verse without the mediation
of syntax in the process of understanding and producing sentence. For example,
in production, because the production of a sentence involves the output of
words in a linier order. In this respect, familiar phrases and sentence are
especially useful.
b.
Some features of sentence
production
The aim of
the production process is to provide a set of sounds for the thought that the
speaker wishes to convey. There are some features of sentence production:
Ø Though process
This is
universal process use knowledge and a stock of concepts to create thoughts. It
is stimulated by various mental and environmental influences.
Ø Purpose + preposition
This is
the essential thought which a person wishes to communicate to someone. The
purpose of a thought involves such intentions as questioning, asserting,
denying, and warning with respect to a proposition. The proposition consists of
two basic types of concept: arguments and predicates.
Ø Pragmatics and Semantics Structure
This is
includes politeness, persuasions, and other pragmatic factors will influence
what the final meaning of the sentence will be.
Ø Basic Strategies
This
component identifies certain properties of the Semantic Structure and assigns
research to be done of the Stored Items and Transformations rules.
Ø Phonetics Structure and Acoustics signal
The
phonetic Structure is a psychological level which represents the pronunciation
of the sentence. Its consist of the discrete speech and prosodic features
(pitch, stress, etc.).
c. Some feature of sentence
understanding
Fodor,
Bever, and Garret have postulated that s string of incoming words are first identified
in terms of their grammatical class (noun, verb, etc) so that for English
syntactic strategy like
A
FUNDAMENTAL SYANTACTIC STRATEGY
NP + V +
NP Subject
+ Verb + Direct Object
This means
that the first NP is identified as the Subject, while the NP that follows the V
is identified as the Direct Object. Such as in the sentence “The cat chased the
mouse”
Basics
strategies are better specified in term of semantics aspects, thus rather than
the strategy of NP + V + NP Subject, etc, the strategy would be a
semantic strategy, something like
A
FUNDAMENTAL SEMANTICS STRATEGY
Living + thing
+ Action + Thing Agent +
Action Action’s object
Here, with
the identifications of the individual concepts of “living Thing”. “Action” and
“Thing” the semantics roles of “Agent” and “Action’s Object” are assigned with
respect to “Action”. Thus, given a sentence like “Mary pushed Sally”, the first
word of “Mary” (assuming for convenience a single word-by-word analysis) will
be immediately identified in the Stored Items as the name of a person, person
being an item that includes the meaning of living thing.
5.
The
Psychology Unreality of Chomsky’s Grammar
v The psychological contradiction in Chomsky’s theorizing
The
content of the rules of the grammar are thus determined by the directional
relationship which Chomsky postulated with respect to the levels of his
grammar. But, he declares that it would be “absurd” to propose that producing
sentence speaker would start from the initial letter S, construct a D-structure
line by line, then insert lexical items and apply transformations to form a
S-structure, etc. Thus, Chomsky asserts, the process of generating a linguistic
derivation is not process that a speaker would ever that employ in producing a
sentence. The same would be true for understanding of sentences- a performance
process that must begin with sound and not the letter S and a variety of
syntactic principles.
Now, since
the direction order in Chomsky’s grammar is psychologically unreal, and since
the content of his grammatical principles and parameters are determined by this
directional order, we can only conclude that Chomsky’s principles and
parameters are as the psychologically unreal as the psychologically unreal
order which they were based.
6.
The
Anti-Mentalist Skeletons in Chomsky’s Closet
How is Chomsky’s theorizing has
resulted in this internal psychological contradiction. The facts show that
Chomsky’s was not always a Mentalist and that the psychological theorizing for
his grammar comes some years later.
We find that Chomsky supporting Bloomfield, a
pro-Behaviorist linguist, in this attack on Mentalist, ideas and meanings
(ideas and meaning are attacked because such abstract entities lead to a theory
of mind). Chomsky, in his work 1955, devoted over a hundred pages to attacking
the relevance of semantics to grammar. Even so, semantics was given primary
autonomous role in the grammar. Because Chomsky continued to give syntax a
primary role, mentalist claims about grammar, that Chomsky fell into
psychological self-contradiction. Not even his brilliant competence-performance
solution was enough to save the theory, although it did serve to detract critics from focusing psychological attention on the grammar.
solution was enough to save the theory, although it did serve to detract critics from focusing psychological attention on the grammar.
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